论文部分内容阅读
文人画,在世界艺术史上,是惟中国独有的特殊文化现象,同民间艺术与宫廷绘画成犄角之势,递朝演进,几经兴衰,踪迹波澜起伏,曲折而壮阔,绵绵延续千余年,左右了中国绘画史的进程,近代备受史家关注,褒贬并存,各持己见。鉴于中国画面临继承与创新课题,于前人踪迹中寻觅得失,以厘定取向,文人画被理所当然视为研究对象,从沉寂变为热点。 言文人参与画事,能前承战国秦汉,后启隋唐两宋,开一代雄风,又泽及后世,集成经典体系者,当推魏晋南北朝。六朝宗匠于动荡之世,勃兴花鸟、山水,推动绘画发达,乃“苍生以来,未之有也。” 及至盛唐王维,继东晋田园诗风,成山水诗圣,且兼通音律,精绘画,状写传神,熔诗、书、画于一炉,注山水画以玄机禅理,以“诗中有画,画中有诗”,始开士大夫画之先河,被后世目为南宗之祖。继之代有效法,人才辈出。
Literati painting in the history of art in the world is a unique special cultural phenomenon of China. It is an occasion with the rise of folk art and court painting. With the rise and fall of the past, ups and downs of ups and downs, ups and downs in twists and turns and a thousand years of continuous expansion, About the history of Chinese painting process, the modern history of much attention, mixed with each other. In view of the inheritance and innovation of Chinese painting, searching for gains and losses in the traces of its predecessors to determine the orientation, literati painting is taken for granted as a research object from silence to hot spot. The scholar involved in the painting, the forebears of the Warring States Qin and Han, Kai after the Sui and Tang Dynasties, a generation of glory, Ze and later generations, integrated classical system, when pushing Wei Jin Southern and Northern Dynasties. Six Dynasties Zongmian in the turmoil of the world, booming flowers and birds, landscapes, promote the development of painting, but “the common people have not.” And the Tang Dynasty Wang Wei, following the Eastern Jin Dynasty idyllic scenery, into poetry, and temperament, fine painting, Write vivid, melting poetry, books, painted in a furnace, landscape painting with a mysterious Zen, “Poetry in the painting, the painting in the poem,” the beginning of scholars painting the precedent, was later known as the ancestor of Southern Zong. Following the effective method, talented people come forth.