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批评活动从来都没有像今天这样变得如此容易又异常艰难。我们的许多作家,那些以码字为业的文学生产人员, 每天都在急不可耐地制造着文字商品,以满足那个虽然已经萎缩却依然庞大的文学市场。在这些文字商品中,也许就有80％是假冒伪劣产品,批评家因此显得幸福无比——他们不再发愁没有批评对象。只要他能横下心、拉下脸、置人际关系于不顾,他就可以启动批评的战车。文学批评岂不是变得容易起来了吗? 与文学批评相比,文化批评更是易如反掌。一般来说,娱乐界人士都是制造文化垃圾的高手,他们引导着无名的大众在“娱乐至死”的道路上狂奔迅跑,结果是更多的垃圾应运而生。如今,文化批评家已变成“拾垃圾者”(只是他们
Criticism has never been easier and more difficult than it is today. Many of our writers, those literary producers who work for the code word, are eager to create text goods every day to meet the literary market, which has been shrinking but is still huge. Perhaps 80% of these word goods are fake and shoddy products, and critics therefore seem very happy - they no longer worry about no criticism. As long as he can cross his heart, pull down his face, set off personal relationships, he can start the chariot of criticism. Is not literary criticism easy to get together? Compared with literary criticism, cultural criticism is even easier. In general, entertainment professionals are the masters of cultural waste. They lead the unnamed public to running “entertaining to death” and the result is more rubbish. Now, cultural critics have become “garbage collectors” (only they