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关于表演艺术的创作方法,欧洲曾有过体验派与表现派的争论,两大派争论了二百多年,我国戏剧界1961年也曾就这个问题展开讨论。两派争论的焦点是演员在表演中是否要真的动感情。“一个演员到底应该主动地去感受他所表演的情绪并为之
As for the creative method of performing arts, there have been controversies in Europe about experiencing the schools of thought and performance. The two major parties have argued over two hundred years and the theater industry in our country started discussions on this issue in 1961. The focus of the debate between the two parties is whether or not actors should really be emotionally involved in the performance. ”An actor in the end should take the initiative to feel the emotion he performed and for it