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为了推动戏曲艺术推陈出新讨论的进一步开展,本刊编辑部于今年5月22日—23日,邀请西安地区部分戏曲导演,举行了“传统戏曲舞台艺术推陈出新讨论会”,就戏曲表演艺术的美学特点、基本规律、民族风格及其在新时代的发展道路,联系当前戏曲舞台艺术实践(包括导演、表演、音乐、舞美等)在继承、发展、提高质量方面存在的主要矛盾和问题,初步交换了意见。现将讨论中的观点,综述于下: 一、对戏曲表演艺术美学特点的探讨会上一致的看法是,我国戏曲表演艺术从美学思想到艺术方法(包括训练和表演)自成完整的体系。在现实主义戏剧史
In order to promote the further development of drama art innovation, our editorial department invited some directors from Xi’an area to hold a seminar on innovation of traditional opera stage art from May 22nd to May 23rd. On the aesthetic characteristics of the performing arts of the opera, , The basic law, the national style and the way of development in the new era, in the light of the main contradictions and problems existing in the inheritance, development and quality improvement of the current stage art practice in opera (including directors, performances, music, opinion. The opinions that will be discussed are summarized below: I. Discussion on the Aesthetic Characteristics of the Performing Arts of the Opera The consensus in the meeting is that the Chinese performance of theatrical arts should be a complete system from aesthetic thoughts to artistic methods (including training and performance). In the history of realism drama