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自上个世纪80年代以来,中国舞台美术创作步入了一个崭新的繁荣期,有了惊人的长足发展。这是有口皆碑的事实。如果说80年代开始,戏剧舞台迈人了新时期的话,那么,这个新时期的一个重要的、主要的标志, 就是舞台美术的发展及其成果。成为新时期戏剧变革的先声,勇敢地迈出了解放自己舞台创造的头一步。舞台美术的创造,无论是发展的面貌,还是成果的收获,主要是表现在: 打破了传统的理念,开放了多元、多极的创造观念和多样的表现手段,抖开了创造的翅膀,翱翔在无垠的舞台创造的天空中。如传统舞台上的“程式化”布景,如
Since the 1980s, the stage art creation in China has entered a new period of prosperity with astonishingly rapid development. This is a well-known fact. If we say that the dramatic stage has taken the new stage in the 1980s, then an important and major symbol in this new period is the development of stage art and its achievements. Become the forerunner of dramatic change in the new era and courageously took the first step in liberating one's own stage. The creation of stage art, both in terms of development and achievement, mainly manifests itself in breaking the traditional concept, opening up the concept of diversification and multipolarization, and diversifying means of expression, shaking off the wings of creation and flying In the sky created by the mighty stage. Such as the traditional stage “stylized” scenery, such as