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“史坦尼斯拉夫斯基的导演课程”一书系莫斯科艺术剧院的导演、苏联功勋艺术家尼·米·戈尔卡柯夫所著的。戈尔卡柯夫于一九二四年加入莫斯科艺术剧院担任导演工作,从那时起,他就不断地在史坦尼斯拉夫斯基的直接指导下进行对史坦尼斯拉夫斯基体系的研究。在这部书中,戈尔卡柯夫用回忆和叙述的体裁,生动地写出了史坦尼斯拉夫斯基作为莫斯科艺术剧院的主要导演怎样指导若干戏的排演,怎样给予青年的导演及演员以具体的帮助,从而阐明了史坦尼斯拉夫斯基的演剧思想和他的科学的方法。这部书出版后,便受到苏联戏剧界的重视与推崇,认为是研究史坦尼斯拉夫斯基体系最重要的著作之一,并获得了一九五○年斯大林奖金。孙维世同志曾根据这部书选译过“什么是导演”、“费多尔·约安诺维奇沙皇”、“费加罗的婚礼”、“演出的青春”、“内心的独白”、“感情的真实性”等章,发表在一九五三年的“文艺报”上,也受到我国广大的戏剧工作者们的热烈欢迎。今后,这部书的选译将陆续在本报上发表。
Directed by Stanislavski, a book directed by the Moscow Art Theater and by Soviet militia artist Nimi Gorkakov. Since Golkavoff joined the Moscow Art Theater in 1924 as director, he has been continuously studying Stanislavsky’s system under the direct guidance of Stanislavsky . In this book, Gorkakov vividly depicts how Stanislavsky, the chief director of the Moscow Art Theater, guided the rehearsal of several plays and how to give young directors and performers With concrete help, Stanley Slavski clarified his theory of drama and his method of science. After its publication, the book was valued and admired by the Soviet theater industry as one of the most important books on the study of Stanislavsky’s system and won the 1950 Stalin Prize. According to the selection and translation of this book, Comrade Sun Weishi has translated “What is the Director,” “Tsar of Fedor Joronovich,” “Marriage of Figaro,” “Youth in Performances,” “Inner Monologue,” “ The Authenticity of Emotion, ”was published in the“ Arts and Literature ”of 1953 and was also warmly welcomed by the vast number of theater workers in our country. In the future, the translation of this book will be published one after another in this newspaper.