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19世纪下半叶欧洲普遍强化的民族主义诉求,包括各国之间在博物馆收藏方面的竞争,交织着背后以白人至上论为内容的粗鄙的进化论,都给人提供了逐鹿中亚的现实政治之外理觯“雅贼”们的思想和文化维度。如果可以将列强之间的文化竞争当作自然而然,敦煌故事中的几大角色便展示出相当不同的身份特征。斯坦因、鄂登堡在各自的个人冒险色彩之外,更多应被放到殖民帝国逐鹿中亚的现实背景中去认识,伯希和可能需要考虑法国早期汉学的延续,多少可以博得
The generally intensified nationalist aspirations in Europe in the second half of the 19th century, including the competition among museums in various countries, and the crude evolutionism behind whitespace theory of the supremacy of human beings, provided the real political support for Central Asia Foreign 觯 “Ya thief ” of their ideological and cultural dimensions. If the cultural competition between the powers can be treated as natural, several major characters in Dunhuang story show quite different identity characteristics. In addition to their own personal adventure, Stein and Edenberg should be recognized more in the context of the colonial empire, Central Asia, and Bechshe may need to consider the continuation of French early Sinology and how much can win