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《无穷动》的基本美学倾向是与世界女性主义政治语境接轨的。首先表现在影片以“另类”女性形象直接解构主流银幕上“美丽性别”神话,同时意在突破女性性话语权禁忌。其次影片内容、主题、叙事结构及视听语言的层面基本是一次女性主义美学所倡导的女性真实经验叙事。但影片的反父权叙事与当代世界女性主义美学的发展水平有一定距离,表现出女性主义美学早期矫枉过正的激进倾向。
The basic aesthetic tendency of “Infinity” is in line with the feminist political context of the world. First of all, it shows that the film directly deconstructs the myth of “beautiful sex” on the mainstream screen with the image of “alternative” women, meanwhile it aims to break the taboo of women’s sexual discourse. Second, the film content, theme, narrative structure and audio-visual language level is basically a female realist experience advocated by feminist aesthetics. However, the anti-patriarchal narrative of the film has a certain distance from the development level of the feminist aesthetics in the contemporary world and shows the radical tendency of overcorrecting the early aesthetics of feminism.