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二○一二年《书法》杂志第十期发表了斯舜威先生《书法能“换取”什么?》一文,文中斯先生讲了一些书法以物易物、物物交换的趣闻旧事,读后颇有感触。书法作为一种精神产品,在中国深受广大群众喜爱,自然也不泛交换的基础,用它来换东西,实在算不得什么稀罕事。比如王羲之就曾用抄写的《黄庭经》和山阴道士换了一群白鹅,留下了一段写经换鹅的佳话。东汉书法家师宜官恃
In the tenth issue of the Journal of Calligraphy in 2012, Mr. Si Shunwei published his article entitled “What can we call the calligraphy” in exchange for “What?”, And Mr. Wenzhong talked about some anecdotes of barter and object exchange in calligraphy, After reading a lot of feelings. Calligraphy, as a spiritual product, is loved by the masses in China and naturally does not provide the basis for extensive exchanges. Using it as a tool for exchange of things is really nothing rare. For example, Wang Xizhi once copied a group of white geese from the “Huang Tingjing” and Shanyin Taoist scribes and left a story of writing a penang. Eastern Han calligraphy division officials should officials