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“革命文学论争”是中国现代文艺发展道路上一次重要的探讨,它与后来的“两个口号的论争”“民族形式论争”有着不同的特点,它是知识分子在启蒙与救亡之间一次自动的转向,将革命与文学思想连接起来以至于确立自己的地位,在论争中也形成了较为正确的文艺方向,确立了马克思主义文艺在中国的建立,使中国文艺走向科学化、多样化。但这场论争也给后人带来了深刻的经验教训,极“左”思想给文艺和知识分子带来了不可抚平的伤痕,面对思想上的困惑,唯有智慧和创新才有可能带来新的发展。
The “Revolutionary Literary Argument” is an important discussion on the development path of modern Chinese literature and art. It has different characteristics from later “controversy between two slogans” and “debate on the issue of national forms.” It is an attempt by intellectuals in Enlightenment An automatic shift from the time of salvation to the establishment of his position by connecting the revolution with the literary thought. In the course of the debate, a more correct direction of literature and art was established. The establishment of Marxist literature and art in China was established and the Chinese literature and art went to science Diversified. However, this controversy has also brought profound experiences and lessons to future generations. The “leftist” thinking has brought unspeakable wounds to the literary and art work and intellectuals. In the face of ideological confusion, only wisdom and innovation have It is possible to bring about new developments.