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造型材料是雕塑家展开艺术思维的翅膀,借以表达情绪,寄情抒怀的物质载体。雕塑创作缺少了材料的支撑必然造成艺术语言的贫乏。古今中外的雕塑艺术品浩若烟海,凡是能汇入雕塑艺术历史的,都有所创造,有所表现,有自己独特的美。这独特之处,其中必然蕴含着造型材料的独创性。 “雕”和“塑”的概念在目前我国的雕塑教学中虽然已相当明确,但在教学实施上还存在问题。 我国艺术院校雕塑专业的教学体系基本上是西化的,在造型基本功训练上,强调用泥塑方法对物写生,利用素描、雕塑手段表现人体。这样的训练也可以说造就了不少造型基本功扎实的雕塑家,但要说这有什么不足的话,那就是“塑”的过多。这种训练方法容易造成千人一面,创
Modeling material is the sculptor to start the artistic thinking of the wings, in order to express emotions, express their feelings to express the material carrier. The lack of material support for sculpture creation inevitably results in a paucity of artistic language. Ancient and modern sculpture works of art voluminous, all can be imported into the history of sculpture, have created, there are performance, have their own unique beauty. This unique place, which inevitably contains the originality of modeling materials. Although the concepts of “carving” and “plastic” are quite clear in the present teaching of sculpture in our country, there are still some problems in the implementation of teaching. The teaching system of sculpture major in art schools in our country is basically westernized. On the training of modeling basic skills, we emphasize the use of clay sculpture to sketch the objects and use the sketch and sculpture to express the human body. This kind of training can also be said to have created a lot of solid sculptors who have the basic skills of modeling. However, if there is any inadequacy, it is too much plastic. This training method easily lead to thousands of people, create