论文部分内容阅读
中日两国的文化交流史源远流长,艺术品的流动非常频繁。近代以前的日本虽然收藏有数量众多的中国艺术品,但是诸如商周青铜器、历代官窑瓷器、北宋水墨山水画等代表中国正统美术的作品多是在明治时期才开始流入日本,逐渐形成规模性的收藏,开启了近代中国艺术品收藏的新局面。本文通过明治中后期的代表性收藏泉屋铜器的形成过程,阐述当时日本的中国艺术品收藏状况,并试图探讨日本社会美术鉴赏和收藏观念的转变及其带来的影响。
The cultural exchanges between China and Japan have a long history and the flow of artworks is very frequent. In the days before the modern Japan, there were a large number of Chinese art collections, but most of the works representing the Chinese orthodoxy such as Shang and Zhou bronzes, ancient porcelain kilns of the Northern Song Dynasty, and other landscape paintings of the Northern Song Dynasty began to flow into Japan during the Meiji Period and gradually formed scale Collection, opened a new situation of modern Chinese art collection. This article elaborates Japan’s collection of Chinese artworks at that time through the formation of the Izumiya bronze ware, a representative collection of the late Meiji Period, and attempts to explore the changes and the influences of Japanese society’s aesthetic appreciation and collection conception.