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通常中国美术史上将公元四至五世纪的南朝宋宗炳《画山水叙》与王微《叙画》这两篇山水画论的问世,看作是中国山水画走向自觉之始,因其提出的“畅神”与“神飞扬”“思浩荡”等观点赋予了中国山水画独立的审美价值。至二十世纪的千年里,山水画在相对稳定的农耕文化的社会结构中按照不同阶层的审美需求形成了不同风格特征,这成为庞大、深厚的中国山水画的传统内容。近代以来,西方文明开始传入中国,在农耕文化基础上形成的中国传统
Usually the history of Chinese landscapes saw the advent of the two landscape painting theories, “Painting Mountains and Waters” and “Wei Shu” by the Southern Song Dynasty in the fourth and fifth centuries AD, as the beginning of the Chinese landscape paintings toward consciousness, “And ” God flying “” thinking mighty "and other points gives the independent aesthetic value of Chinese landscape painting. In the millennium of the twentieth century, the landscape paintings formed different styles and characteristics according to the aesthetic needs of different classes in the relatively stable social structure of farming culture, which became the traditional content of the huge and profound Chinese landscape painting. Since the early modern times, Western civilization began to spread into China, forming a traditional Chinese tradition based on farming culture