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服装与人体的关系,从整体设计上来考虑,可以说是一种“正”形与“负”形的变化关系。从服装服务于人的角度来研究,人体可为“正”形,服装可为“负”形;若从设计本身来考虑,则服装为“正”形,人体为“负”形。(图1) 理想的服装设计,不光在于设计“正”形,也应是在设计“负”形。因设计时无论以谁为“正”形,其“负”形都是客观存在的。“正”形与“负”形,通过阴阳反转,在相互依存的变化中形成统一的整体。 从包装人体的角度来考虑,以服装为“正”形,如进行领型设计,则除设计本身应注意的变化法则外,还需同时考虑领子所围合的这个“负”形是否也同样具有美感特征。(图2)
Clothing and the human body, from the overall design to consider, can be said to be a “positive” and “negative” -shaped changes. From the perspective of clothing services to people, the human body can be “positive” shape, and the garment can be “negative” shape. If considered from the design itself, the garment is “positive” and the human body is “negative”. (Figure 1) Ideal clothing design, not only in the design of “positive” shape, it should be in the design of “negative” shape. Due to the design no matter who is “positive” shape, its “negative” shape is an objective reality. The “positive” and the “negative” forms, through the reversal of yin and yang, form a unified whole in the interdependent changes. From the perspective of packaging the body to clothing as “positive” shape, such as the collar design, in addition to the design itself should pay attention to the law of change, but also need to consider whether the neckline enclosed “negative” shape is the same Has the characteristics of beauty. (figure 2)