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世纪之交的欧游随笔,对于以中国人物画名世的资成,无异于一次涤滤心灵和眼光的艺术巡礼。意气风发,行旅匆匆。面对步移景变的异国风情,新颖、新鲜、新奇使他心花怒放、激情难遏。胸中的丹青脱颖而出,化为一幅幅荡漾着域外氤氲的生动画面。中国画特有的笔墨风韵,一变表现祖国人物、河山的惯常,被画家尝试性地移植、嫁接过去,巧妙并带有创造性地与西方人文景观联袂。很显然,怀着包括笔墨技巧在内对新的艺术语言探索的夙愿,作者因访欧这一契机,而向成功标的迈出了可喜的一步。在江苏画坛,贺成的画风与在相当一段时间内影响视听的新文人画小品倾向截然有别。他的画幅,扫除了寂寥、荒疏、冷漠、玄虚的
The European tour of the turn of the century essay, for the world of Chinese painting, the accomplishments, is tantamount to a Dianxian soul and vision art tour. High-spirited, traveling in a hurry. In the face of the exotic landscape step change, new, fresh, novelty so that he was elated, passion hard to stop. The chest of Danqing come to the fore, into a vivid picture of waves outside the absurd. The unique pen and ink charm of Chinese painting, a change in the performance of the characters of the motherland, rivers and mountains of habitual, painter tried to transplant, grafting in the past, clever and creative and Western cultural landscape together. Obviously, with the longing for exploration of a new artistic language, including brushwork and ink, the author took a welcome step towards success by virtue of his visit to Europe. In the Jiangsu painting scene, He Cheng’s style of painting is quite different from that of the new literati who have been influencing audiovisuals for quite some time. His picture, swept out of solitude, deserted, indifferent, mysterious