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《中国艺术史学理论与方法研究》分析与探讨的是不同于以往的门类史研究,它具有与艺术学科特征相匹配的艺术史观,即全局的、宏观的。在全局、宏观的艺术史观方向指引下研究艺术史的意义是还原历史还是去重新构造历史无疑成为该书首要解决的问题,从母题与主题的关系到“史料”与“论述”的关系分析“还原”与“重构”互为牵引力的关系,从而解决艺术史发展方向的问题。我们对“美术史”“音乐史”“舞蹈史”“设计史”“戏剧戏曲史”“电影史”
The analysis and discussion of “the study of the theory and method of Chinese art history” is different from the previous study of the history of the class. It has the view of art history that matches the characteristics of the art discipline, namely, the overall situation and the macroscopic. Under the direction of the overall situation and macroscopic artistic history, it is undoubtedly the most important issue to study the significance of art history whether it is to restore history or to reconstruct history. From the relationship between motif and theme to the discussion of “historical data” and “ ”Relationship analysis “ restore ”and “ reconstruction ”each other traction relationship, so as to solve the problem of the development of art history. We have a deep understanding of the history of art history, history of music, history of dance, history of drama, history of drama and drama,