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近代以降,西潮激荡,中国画界开始出现新型艺术巨人:徐悲鸿、林风眠、吴大羽、庞熏琹、李可染、关良……他们既通中画,又通西画,可称为“两条腿的巨匠”。吴冠中无疑属于这个行列,但又显得与众不同,那就是,他的两条腿一粗一细,反差较大;粗的是他的油画,细的是他的国画。对吴冠中的油画艺术成就,美术界的看法比较一致(除了少数学院派写实主义油画家颇有微词),一涉及吴冠中的国画创作,问题就来了,不少人认为:吴冠中半路
In modern times, the tide of the western tide has started to stir up. New Chinese art giants such as Xu Beihong, Lin Fengmian, Wu Dayu, Pang Kunlu, Li Keran and Guan Liang began to emerge in Chinese painting circle. Master ". Wu Guanzhong undoubtedly belongs to this ranks, but it looks different, that is, his two legs a thick, more contrast; crude is his paintings, fine is his traditional Chinese painting. Wu Guanzhong’s achievements in the art of oil painting, the art world are more consistent view (except for a few academics realist oil painter quite nostalgia), a Wu Guanzhong painting involves the creation of the problem came, many people think: Wu Guanzhong halfway