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更上层楼主攻刀马旦1989年10月,四川省川剧学校实验川剧团有幸参加第二届中国艺术节演出,田蔓莎在《杀狗》一剧中将“焦氏愤懑不平而近乎撒泼的心态神情,刻画得淋漓尽致,……十分准确地揭示了人物惊惶恐惧的心理”(《人民日报》),“以过硬的功夫和惊人的技艺,重新塑造了焦氏的形象”(《戏剧电影报》)。被剧评家誉为“技艺超群,独具风韵”的田蔓莎,不但没有因此而“好高鹜远”,相反;她通过观摩学习,大大地开阔了眼界,对自己的不足与缺点有了切身的体会,决心更上层楼,集中精力主攻刀马旦。川剧素以“三小”(小生、小旦、小丑)见长,由于刀马旦表演难度大,练功艰苦,这些年来专功此
In October 1989, Sichuan Sichuan Opera Experimental Sichuan Opera Troupe was fortunate to participate in the second China Arts Festival performance, Tian Mansha in the “kill the dog,” a play will “Jiao’s grievances and almost splashed mentality look, portrayal Vividly and vividly revealed the psychology of people with horror and terror ”(“ People’s Daily ”),“ reshaped Jiao’s image with great skill and amazing skill ”(“ Drama Film ”). The film critic praised Tian Mansha as “a man of extraordinary skill and unique charm”, not only failed to “go a long way ahead of him,” but instead, she greatly broadened her horizons by observing and studying her own personal shortcomings and shortcomings. Determined to go further, focus on the main knife Maddan. Sichuan Opera prime to “three small” (niche, Xiaodan, clown) known, because the knife Ma Dan performing difficult, hard work, all these years