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新时期以来出现的“重写文学史”思潮在学术史上产生了广泛影响,并一直延续至今。它既是对以往政治意识形态主宰叙述模式的深刻反思,又是对未来文学史书写方式的热切展望,其中最强烈的诉求就是:如何回到文学史现场。当年提出“二十世纪中国文学”的原因,即“人们习惯以政治的标准对待文学,因此把新文学史拦腰截断,形成了‘现代文学’与‘当代文学’的概念。这实际上是一种人为的划分,它使两个阶段的文学都不能形成一个各自完整的
The thought of ”rewriting literary history“ that has emerged since the new period has had a widespread influence in academic history and has continued to this day. It is not only a profound reflection on the narrative mode of domination of political ideology, but also an eager prospect for the writing of future literary history. One of the strongest appeals is how to return to the scene of literary history. The reason why ”Chinese Literature in the Twentieth Century“ was put forward in that year is that ”people are accustomed to treating literature with political standards and thus cut off the history of new literature and formed the concept of“ modern literature ”and“ contemporary literature. ”This reality Is a kind of artificial division, which makes the two stages of the literature can not form a complete