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20世纪上半叶是一个新思潮、新理论空前活跃、科学主义和形式主义文论占据主流地位的时代。与风靡一时的新批评理论相比,另外一个以社会文化批评为主导的批评流派,也即“纽约知识分子”(包括莱昂内尔·特里林、欧文·豪、艾尔弗雷德·凯津和艾德蒙·威尔逊等),则相对受到冷落,尤其是我国文艺学界很少对这一群体进行探讨。在新世纪来临、文化批评重新崛起之际,对这
The first half of the twentieth century was a time when a new trend of thought, an unprecedented new theory, and a predominance of scientism and formalist literary theory took hold. Compared with the all-new Criticism theory, another critical school led by social and cultural criticism, namely “New York Intellectuals” (including Lionel Trilling, Owen Howe, Alfred De Kai Kai and Edmund Wilson, etc.), is relatively left out, especially in our literary and art circles rarely explore this group. In the new century, the rise of cultural criticism on the occasion, this