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本文选取《钟形罩》和《无字》两部作品,通过对女主人公埃斯特和吴为疯癫历程的对比研究,揭示出女性的疯癫是对传统父权制社会的公然反抗,以及在女性自我主体意识重建过程中所遇到的困境。美国女作家西尔维娅·普拉斯的《钟形罩》和中国女作家张洁的《无字》这两部作品均创作于20世纪60年代。两位作者虽然出生于同一年代,但由于成长环境和写作背景的不同,对女性疯癫的认识也不同。一、钟形罩下的疯女——埃斯特《钟形罩》以第一人称手法讲述了女大学生埃斯
This article chooses two works, “Bell cover” and “No word”. Through the comparative study of heroine Este and Wu as madness, it reveals that the madness of women is a blatant resistance against the traditional patriarchal society, Dilemma encountered in the process of reconstruction of the main body consciousness. The two works by the American woman writer Silvio Plass’s “Bell” and Chinese writer Zhang Jie’s “No Word” were all created in the 1960s. Although the two authors were born in the same era, their understanding of the madness of women is also different due to the different backgrounds of their growth and writing. First, the bell-shaped cover of the mad girl - Este “bell-shaped cover” to first-person approach tells the female students Aes