困惑与疑虑

• 作 者: 陈健秋
• 出 处: 人民戏剧
• 发表日期: 1982年05期
• 关键词: 五十年代 十几 样板 舞台提示 自报家门 陈毅市长 二道幕 《茶馆》 不自觉 剧作家

从五十年代跨进话剧团大门当演员起,到后来做专业编剧直至现在,所听到的关于话剧民族化的议论的确不少。但似乎总是在朦胧中思索,在困惑中等等;等待有人写篇服人的专著或拿出一个公认的民族化了的剧本样板来。这样一等就等了二十几年。以往,一提起话剧民族化,向戏曲学习这一办法总象太阳下的影子自觉或不自觉地跟随

From the 1950s into the theater when the door as an actor, and later to become a professional screenwriter until now, heard about the nationalization of the drama is indeed a lot of talk. But it seems always in the dim thinking, in the midst of confusion; waiting for someone to write a man’s monograph or come up with a recognized nationalized script template. Just wait for two decades. In the past, when mentioning the nationalization of drama and learning from opera, the shadow under the sun always follows consciously or unconsciously