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苏州评弹是吴文化和中国曲艺的一大瑰宝。我在近四十年的演艺生涯中,始终恪守在传承中守望经典、在创新中探索前行的艺术理念,长期在码头一线演出传统、现代长篇弹词,多年的演艺实践为自己驾驭评弹语言艺术打下了较好的基础。由于评弹表演口传心授的特殊性、评弹演员“单兵作战”的独特性和市井文化的语境性,评弹书目的创作大部分源自演员本体,自编自演成为评弹艺术传承发展的主要路径,在以往长篇书目的演绎中,我也做过这方面的实践尝试。
Suzhou Pingtan is a big gem of Wu culture and Chinese folk art. During my nearly 40 years of performing career, I have always adhered to the artistic concept of keeping a watch on the classic in inheritance, exploring forward in innovation, performing long-term traditional performances in the quay, modern articles and performing arts for many years to control the art of Pingtan language Laid a good foundation. Due to the particularity of Pingtan performance oral tradition, the uniqueness of Pingtan actor “Soldier ’s combat ” and the contextuality of marketplace culture, most of the creation of Pingtan booklet originates from the actor itself, The main path, in the past, the interpretation of long bibliography, I have done this practice attempt.