论文部分内容阅读
中国画具有独树一帜的视觉语言,对此类艺术作品的研究,即是将江山高隐类的视觉语言作为一种艺术现象,揭示其形成的渊源和发展的进程。由赵启斌所著的《江山高隐:中国绘画史“渔隐”、“舟隐”、“垂钓”图像考释》(东北大学出版社2015年9月1日出版)一书,在美术语言之外挖掘出以“渔隐”“舟隐”“垂钓”为核心内容的中国山水画的精神脉络,诠释其蕴含的文化意蕴,为读者展示了中国山水画以及其中的文化价值。
Chinese painting has its own distinctive visual language. The study of these works of art is based on the visual language of high caves as an artistic phenomenon, revealing the origins and development of its formation. The Book by Jiang Qibin: “Gao Shan of the Country: History of Chinese Painting,” “Fishing Hide”, “Zhou Yin”, “Fishing” Image Examination (Northeastern University Press, September 1, 2015) , Digging out the spiritual context of Chinese landscape painting with “fishing hidden”, “boat hidden” and “fishing” as the core contents beyond the art language, interpreting the cultural connotation contained in it, and showing the Chinese landscape painting as well as One of the cultural values.