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一、传统材料的历史使命柏拉图说:“人类如同被链条拴在一个低矮洞穴中的俘虏,无法转过身直接看到洞外大火堆旁‘真人’的活动,只能背对着那些‘真人’去观看他们投影在洞壁的影像。我们的感官注定自己要相信这些被真人真物投出闪烁跳动的影像是‘真实’的东西,实际上,我们只能根据这些经过我们自己的感观和心理加工的信息来推断实在的本性。”视觉艺术在当代发生了很大变化,这些变化不仅表现在艺术作品的形式、语言和观念上,而且还表现在艺术作品的材料媒介上。在某种程度上,材料媒介在艺术发展演变中的作用是关键的、革命性的,在许多特定的时候,可以说材料媒介的变化即意味着观念的变革,意味着形式语言的变革,意味着视觉艺术发生了革命性的变化。我们
I. Historical Mission of Traditional Materials Plato said: “Humans, like captives chained in a low-lying cave, can not turn around and directly see the ’real people’ ’Live People’ to watch the images they project on the walls, and our senses are destined to believe that these live-action images of flickering are ’real’ things, and in fact we can only rely on them through our own Sensory, and psychological processes. ”" Visual art has undergone major changes in the contemporary world, not only in the form, language and perception of works of art, but also in the material medium of works of art . To a certain extent, the role of material media in the evolution of the arts is crucial and revolutionary. At many specific times, it can be said that changes in the material media mean changes in concepts, meaning that formal language changes mean The visual art has undergone a revolutionary change. we