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面对热议旅游维度的研究,本文也进行了多角度的分析,认为维度研究是在仿照科学,但在其中还应有科学视角,不能只是在方法上模仿。强调维度的同时也弱化了旅游的核意识,但丰富了有关旅游本质的内容,但那是一种外延的拓展。维度意识还存在第三个潜在问题,即或多或少地让研究丧失了思想性与易变能力。在类比于天体系统的基础上,文章认为“核中物质”或可以流到维度上,维度也未必就是一条直线,或可以如星系那样呈现螺旋状,进而提出了一个质疑——维间区是什么,继而进到生物生命视角,从神经系统、消化系统、血液系统和呼吸系统等类比维度,提出了可类比于器官的旅游设施的重要性,提示着某些真正的科学维度还没有被旅游研究所重视,即自然科学的视角也是旅游研究的重要凭借,要思考维度与设施之间的关系,设施或就在维间区。最后以生化视角,探讨了可能存在于旅游维度中的氧化还原机理,以及在设施之外还可以存在“大纲”这样一个概念,“纲”即对生物生命的尊重、敬畏,以让维度与设施(景区)等能以串联的形式存在于本质与大纲之间。
In the face of hot research on tourism dimension, this article also conducted a multi-angle analysis, that dimensional research is modeled on science, but in which there should be a scientific perspective, can not just imitate the method. Emphasis on dimensions also weakens the nuclear awareness of tourism, but it enriches the nature of tourism, but that is an extension of the extension. A third potential problem with dimensionality awareness is that more or less the research has lost its ability to think and change. Based on the analogy of the celestial body system, the article holds that the “matter in the nucleus” may flow into the dimension, and the dimension may not be a straight line or may appear like a spiral galaxy, thus raising a question - What is the area, and then into the biological life perspective, from the nervous system, digestive system, blood system and respiratory system, the analogy of the organism-like tourist facilities put forward the importance of suggesting that some of the real scientific dimension has not yet It is valued by the Institute of Tourism, that is, the natural sciences perspective is also an important virtue of tourism research. It is necessary to consider the relationship between dimensions and facilities, facilities or in the inter-dimensional space. Finally, from the perspective of biochemistry, we discuss the redox mechanism that may exist in the tourism dimension and the concept of “outline ” in addition to the facility. “Gang ” is the respect and reverence for biological life Let the dimensions and facilities (scenic spots) and so on can be in the form of a series between the essence and the outline.