论文部分内容阅读
一极有可能,艺术哲学注定要反复无休止地但又总想一劳永逸地通过最合适于“美的艺术”的意义,来界定一件“艺术作品”、“艺术品”、“艺术”等概念。当代的种种努力,似乎导致了心灵的倦怠、困惑、涣散,或者某种错误的信念(bad faith)。凡此种种,向我们表明,为这一定义问题枉费心力,是不值得的。但是,很多人心头所充斥的挥之不去的挫败感,却不能通过简单的束之高阁而化解。我们仍然身陷于莫里斯·韦兹(Morris Weitz)的《美学中理论的作用》这篇极具破坏力的
Most likely, the philosophy of art is doomed to endlessly but always want to define once and for all “a work of art,” “art,” through the most appropriate sense of “art of beauty.” “Art ” and other concepts. Contemporary efforts seem to have led to mental fatigue, confusion, disunity, or some erroneous belief. All this shows us that it is not worth the effort to devise this definition. However, the lingering frustration that many people have in their hearts can not be resolved simply by sheltering them. We are still trapped in the destructive power of Morris Weitz’s Theories of Aesthetics