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想对这部已经评价得泛滥的电影说些什么也并不容易。 记忆最深的是结局的那个镜头,程蝶衣站在舞台中间,定格成中景。整个画面就只有他一人。其实从开始,就只有虞姬而没有霸王。他嘴边有着纠缠不清的意味,决绝的悲伤爬满苍白的双颊,莹莹泪水在眼中叹气,却终于没有落下来。这种表情似乎迟来了11年,又或者早在36年前那个凛冽的冬天就已经有过,不过直到这个夏天才冰释出现。
It’s not easy to say anything about this already-appraised film. The deepest memory is the outcome of the shot, Cheng Duan Yi standing in the middle of the stage, fixed grid into the King. The whole picture is only one person. In fact, from the beginning, only Concubine Yu and no overlord. His mouth has a tangled, meaningless sadness covered with pale cheeks, Yingying tears sigh in the eyes, but finally did not fall. This expression seems to be late for 11 years, or as early as 36 years ago that winter had been cold, but until this summer ice show.