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当西方流行歌曲随着我国改革开放的大潮涌入国门时,曾一度在社会上掀起了一股轩然大波,被无数条意识绳索捆绑了多年的中国人,对西方流行歌曲的节奏、旋律、唱法及演唱形式几乎都感到哗然,许多人骂它低级庸俗。然而却在广大年轻人的世界里找到了生根开花的沃野,流行歌曲那贴近生活的内容、热烈的节奏和自由发展的旋律,都完全迎合了渴望精神解放的年轻一代的心理需求。因此,大量的港、台歌曲便沿着那条《乡间小路》一步步深入到了我国的城市和乡村,向着一个古老民族的精神意识发起了猛烈地冲击。当时较勇敢的歌手如程琳、崔健等,几乎是从一片谩骂声中冲杀出来的。然而程琳的一曲《酒干倘
When Western popular songs entered the country with the tide of reform and opening up in China, they once set off an uproar in society and was bound by countless lines of consciousness for many years. They analyzed the rhythm, melody, singing style of western popular songs and Almost all singing in the form of uproar, many people curse it vulgar. However, in the world of the vast majority of young people, they have found the fertile land that has taken root and flowering. The pop songs that are close to life, the warm rhythm and the melody of free development completely cater to the psychological needs of the younger generation who are eager to spiritual liberation. Therefore, a large number of Hong Kong and Taiwan songs went down to the cities and villages of our country step by step along the “country road” and launched a violent attack on the spiritual awareness of an ancient nation. At that time, brave singers such as Cheng Lin, Cuijian, almost from a verbal abuse rushed out. However, a song of Cheng Lin, "Dried wine