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战争是历史的伤疤,是一个民族难以忘却的记忆。在1931年9月18日至1945年8月15日的抗日战争中,中国人民遭受了无尽的苦难与屈辱,也铸就了伟大的辉煌与胜利。对于这段民族记忆的影像书写,不同的历史时期呈现出不同的风貌。1932-1949年的抗战电影以其对社会时局、民族危机的激昂呈现,唤醒了大批民众团结抗战的热情。建国后,在统一思想文化的要求下,抗战电影中华民族危机的表达逐渐演变为国族神话的建构。随着时代的发展,尤其是改革开放
War is a scars of history, an unforgettable memory of a nation. During the Anti-Japanese War from September 18, 1931 to August 15, 1945, the Chinese people suffered endless suffering and humiliation, and they cast great glories and victories. For this section of national memory of the image writing, different historical periods showed a different style. The anti-war films of 1932-1949, awed by the current social situation and national crisis, aroused the enthusiasm of a large number of people in uniting the war of resistance. After the founding of the People’s Republic of China, with the requirement of unifying the ideology and culture, the expression of the crisis of the Chinese nation in the War of Resistance Against Japan gradually evolved into the construction of national myths. With the development of the times, especially the reform and opening up