谈“傍戏”

• 作 者: 林荫宇
• 出 处: 人民戏剧
• 发表日期: 1979年11期
• 关键词: 悲剧演员 专门术语 斯氏 欧文 它比 亨利 台词 杜丝 庄济生 常四爷

英国著名悲剧演员约翰·亨利·欧文(1838-1905)曾用过一个专门术语,把演员在对手说话或他人对话,即在场而无台词时的表演统称为“傍戏”,在斯氏体系中,类似于“反应”这个概念。欧文认为“傍戏”是“演员业务的一个极其重要的部分”,“它比一切都更能说明演员和他的角色合一到什么程度”。

The famous British tragedy actor John Henry Irvine (1838-1905) once used a jargon to refer to actors acting in opponents’ hands or conversations with other people, that is, performances in the presence of no lines are collectively referred to as “near play”. In the Smithian system , Similar to the concept of “reaction”. Owen believes that “Pong film” is “an extremely important part of the actor’s business,” “it is more than anything else to explain the extent to which the actor and his character are one.”