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歌剧《茶花女》被无数知名或不知名的导演以不同的风格和形式搬上舞台,有现实主义也有象征主义;时间有演绎十九世纪,也有演绎二十世纪。本文就是去解剖整首作品的节奏,速度以及音乐表情,去推敲诠释人物的内心和变化,只有在艺术处理上达到一种全新的境界,要做到这一点就不能只停留在声音的外在质量上,更要注重声音的内在质量,必须以内在的情感体验引发出的艺术表现和审美的需要为基础,只有这样我们才能演绎出更好的作品。
The opera “The Lady of the Camellia” has been brought to the stage by numerous well-known or unknown directors in different styles and forms. There is also symbolism in realism; the time is deduced in the nineteenth and the twentieth century. This article is to dissect the rhythm, speed and music expression of the whole work, to deduce the interpretation of the heart and changes of characters, and only reach a completely new state in the art processing, and this can not be done only by the external sound Quality, more attention to the intrinsic quality of the sound, must be based on the artistic expression and aesthetic needs of the inner emotional experience, and only then can we deduce a better work.