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在法国十九世纪的文学中,不同风格和气韵的文学同时并存和交错,使当时的法国文坛成为灿烂绚丽的自由创作园地,文学大师辈出,天才巨星云集。十九世纪现实主义的代表人物福楼拜就是其中之一,他写作的目的是为了达到其艺术追求,创作是他的生活,字句是他的悲欢离合,而艺术是他的整个生命。在他的第一部小说——《包法利夫人》问世的时候,他已然35岁了。而就是这一部小说就足以让他成为世代膜拜的文学大师,在读这本小说的过程中,我们能够深切的感受到他对文学创作那种精湛细致之处,甚至他在创作过程当中所受到的精神上的折磨。本文就透过对《包法利夫人》的解析来分析福楼拜文学创作的精湛技艺。
In the French nineteenth century literature, different styles and rhyme literature simultaneously coexisted and staggered, so that the French literary world at that time became a splendid and beautiful place for free creation, literary masters in large numbers, gifted talent gathered. Benedict XVI is one of the nineteenth-century realist representatives. His writing aims to achieve his artistic pursuit. Creation is his life. His words are his joys and sorrows. Art is his whole life. He was already 35 when his first novel, “Madame Bovary” came out. But this novel is enough to make him a literary master worshiping from generation to generation. While reading the novel, we can deeply feel his superb meticulousness and meticulousness in literary creation, and even during his creative process The mental torture. In this article, we analyze the masterpiece of Flaubert’s literary creation through his analysis of Madame Bovary.