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接《中国画画刊》约稿,让我以画家身份写一篇谈读万卷书一稿,我真的有点忐忑。因此稿难写,一般认为读书是学者之事,更何况画家谈读书,历史上成功之作有很多,即最先倡导和践行“读万卷书,行万里路”也是明代画家董其昌,再加宋元以降成功画家大多是学富五车、才情过人,无不与书为伴终成一家。但自民国以后,随着书画市场的兴起,“懂画的人买不起画,买画的人不懂画”的现象逐渐蔓延,注重外在形象的商品画也随之兴起,所以画家读书越来越少。当下此种现象更是风行一时,优秀文化有一种式微之势,公共审美等级江河日下,有的领域甚至是丧失了底线。再此下去,中国文化和中国画之精神将随之消亡,更因中国画仅以躯壳存在,失去
Following the “Chinese Paintings,” a draft, let me write an article as a painter to read a manuscript a manuscript, I am really a bit shy. Therefore, the draft is difficult to write, generally think reading is a matter for academics, not to mention the painter talk about the book, there are many success stories in history, that is the first advocate and practice “read thousands of books, line Miles Road” is also the Ming Dynasty painter Dong Qichang , Together with the Song and Yuan Dynasties to reduce the success of most painters are learning five cars, extraordinary talent, all with the book for the family with a final. However, since the Republic of China, with the rise of the painting and calligraphy market, the phenomenon of “drawing people can not afford painting and people who buy painting do not understand painting” is gradually spreading, and commodity paintings focusing on the external image are also emerging. Therefore, Painter reading less and less. At present, this kind of phenomenon is even more prevalent. There is a slight trend of outstanding culture. Under the current aesthetic level, some areas even lose their bottom line. Go on like this, the spirit of Chinese culture and Chinese painting will die out, but because Chinese painting only exist in the body, lost