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《剧本》(1985年10期)发表了孟繁树同志《戏曲艺术的转折与发展》一文。文章从分析戏曲发展的历史和当前戏曲的困境出发,批评了戏曲理论研究中“孤立、静止”的倾向,提出了创造新的戏曲体制以迎接第三代戏曲等论点。由于这不只是一般探讨艺术革新的论文,对于戏曲发展前景和指导戏曲创作也都具有不可忽视的影响,因而引起我们的重视。本文仅从当前戏曲现状出发,就几个问题提出商榷。
“Script” (Issue 10 of 1985) published a paper entitled “The Transition and Development of Traditional Chinese Opera” by Comrade Meng Fanshu. Based on the analysis of the history of the development of opera and the dilemma of the current drama, the article criticizes the tendency of “isolation and quiescence” in the study of opera theory and puts forward the arguments of creating a new opera system to meet the third generation of opera. Since this is not just an essay on art innovation in general, it also has a significant impact on the development prospects of opera and on the direction of drama creation. Therefore, it has drawn our attention. This article only from the current situation of the opera set out on several issues to be discussed.