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有时候,我们会突然在某一个时间格子里迷恋上某一部音乐作品。初春之始,我却沉迷于马勒的《大地之歌》。或许,很多人听到的是这部交响套曲所折射出的恐惧与绝望,但却恰恰在这孑然愁绪的背后,迸发出辩证的力量,让我听到了马勒内心绝望中的欲望,犹如Tauziehen一般,形成一种张力与牵制,参悟到深沉而绝望中的挣扎。《大地之歌》由六个乐章构成,是马勒从汉斯·贝特格翻译的诗集《中国之笛》中挑选的《悲歌行》《枫桥夜泊》《客中行》《采莲曲》《春日醉起言志》《宿业师山房期丁大不至》《送别》七首唐诗而作。虽与原诗中所要表诉的意解相去
Sometimes, we suddenly in a time lattice obsessed with a piece of music. The beginning of the spring, I indulge in MAHLE’s “song of the earth.” Perhaps many people hear the fear and despair that this symphonic set reflects, but it is just after this solitude that burst into dialectical power that I hear the desires of Mahler’s inner despair as if Tauziehen In general, the formation of a tension and contain, see the deep and desperate struggle. The song of the earth is composed of six movements, which are the selection of “The Sadies”, “Night of Maples”, “The Walk of Passengers”, “The Lotus” from “The Flute of China” translated by Hans Beit Gege “Spring drunk from words,” “Habitat division mountain house Ding big not” “farewell” seven poems and made. Although the original poem in the statement to be opposed to the solution