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琵琶传入我国已有一千多年的历史。持琴姿式从横艳到斜上艳、竖艳;演奏方式从拨弹到指弹。其发展脉络已大致清楚。之所以说“大致清楚”,是因为诸如“竖艳始于何时”、“指弹始于何时”这类在琵琶发展史上至为重要的问题至今为止尚无令人信服的考证。许多研究文章往往忽略了持琴姿式、演奏方式与人体生理结构的密切关系。持琴姿式和演奏方式必须与人体生理结构相适应。换言之,人体生理结构选择了充分发挥生理功能和乐器表现力的最佳持琴姿式和演奏方式。同时,持琴姿式与演奏方式又以人体生理结构
Pipa has been introduced into our country for more than a thousand years. Hold Qin posture from horizontal Yan to oblique on Yan, vertical Yan; playing way from the bomb to the finger. Its development context has been generally clear. The reason why we say “roughly” is that there is no convincing research so far on issues of importance in the history of pipa, such as “when did vertical inscription begin” and “when did it begin”. Many research articles tend to ignore the close relationship between playing posture and playing style with human physiological structure. Piano posture and playing style must be compatible with the physiological structure of the human body. In other words, the body’s physiology has chosen the best way to play the piano and the way it performs, giving full play to the physiological functions and the expressiveness of the instrument. At the same time, holding the posture and playing the piano with human physiological structure