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戏曲艺术团体以演员为中心,已经由来已久。历史上很多出类拔萃的演员,功底深厚,身手不凡。许多精采的演出,令观众如痴似醉,百看不厌。他们在戏曲中的特殊地位,自然不应忽视。戏曲很注意形式美。但是,形式美强调过了头,多跨一步,便出现了唯美主义的倾向。“演员中心制”的一个弊病,便是竭尽全力突出主演,而忽视了整体。有时侯,甚至不顾规定情境,纯粹的卖弄技艺,为唱而唱,为舞而舞,绝招降为杂技,开打变成武术表演。即使编演新戏,也必须围绕主演设戏。为了突出主演,就是奖剧本伤筋动骨,搞得支离破碎,往往也在所不惜。
It has been a long time since the opera and arts groups focused on actors. Many outstanding actors in history, profound knowledge, extraordinary skill. Many brilliant performances, so that the audience crazy like drunk, never tired of. Their special position in the drama should naturally not be overlooked. Drama is very attention to formal beauty. However, the beauty of formality is overstepped and the step of aestheticism emerges. One of the ills of the “actor-centered system” is to make every effort to highlight the starring, while ignoring the whole. Sometimes, even ignoring the provisions of the situation, pure play showmanship, singing and singing, dance and dance, trick down acrobatics, into a martial arts show. Even if the filming of new drama, must also focus on the main character set. In order to highlight the protagonist, is the award-winning script playful, and made fragmented, often also at the expense.