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|36.起点的焦虑|很显然,从开端开始写作,与从中间开始写作,召唤起了两个完全不同的主体:前者同时要同作为指涉对象的客体和其他历史地参与过对同一客体指涉活动的主体相对抗,而这些主体在这历史的进程中也演化成了当下共时性的充满同等可能性的对象,这些被客体化了的主体无时无刻不在对当下的主体进行着监控和调节,而这所带来的焦虑是不言而喻的,焦虑究竟是内在地生成于主体之中,还是用指涉客体位移式地带来的呢?这点在后面后一种写作方式中就容易解决了,旧的来自指涉物的间接的焦虑由定义和发生同时进行的新的发源于已有结构内部的焦虑所取代,具体而言,新的焦虑摇身变作了作者与当下主体的感性经验相对抗的知觉模式,换言之,即是脱离了感性范畴。
| 36. Beginning Anxiety | Obviously, starting from the beginning of writing and starting from the middle of writing, it summons two completely different subjects: the former at the same time with the object as the object of reference and other historical participation in the same object Refers to the relative resistance of the main body of the activity, and these main bodies also evolve into the contemporary synchronic full of equal possibility in the course of history. These objectified subjects are constantly monitoring and controlling the present subject Adjustment, and this brought anxiety is self-evident, whether anxiety is inherently generated in the main body, or with the referential displacement of the object it? This point in the latter way of writing Easily solved, the old indirect anxiety from referent was replaced by the new anxiety that originated in the existing structure, defined and occurred simultaneously. Specifically, the new anxiety became the author and the present subject Perceptual experience of confrontation perceptual model, in other words, that is, from the perceptual category.