“复感·动观——2011海峡两岸当代艺术展”序

• 作 者: 黄才郎
• 机 构: 台湾美术馆,
• 出 处: 中国美术馆
• 发表日期: 2011年04期
• 关键词: 当代艺术展 中国美术馆 动观 馆际合作 海峡两岸 十年 视觉经验 循环状态 全球语境 交错对

两岸当代艺术分别发展将近三十年,相互关系从原初的平行并进到点的交会,如今可预见一种网状交织的密切状态正逐渐形成。两岸美术馆也从互访观摩、单向藏品交流,迈入到合作策划、资源互通的更深层次。2009年“讲·述”开启了台湾美术馆与中国美术馆馆际合作的先声;2011年两馆再以“复感·动观”为题,为两岸当代艺术的交流再谱续曲。

The development of contemporary art on both sides of the Strait has been going on for nearly three decades respectively. The relations of mutual relations have proceeded in parallel from the original stage to the point of intersection. Now it is foreseeable that a close-knit state of meshwork is gradually taking shape. Cross-Strait Museum of Art also visited each other to observe and exchange one-way collections and entered a deeper level of cooperation and planning and exchange of resources. In 2009, “Speaking and Writing” opened the prelude to the international museum-to-museum cooperation between the Taiwan Art Museum and the China National Art Museum. In 2011, the two museums re-titled “Complex Feeling and Moving View” Spectrum continued song.