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作为中国早期电影史上的一位影星,阮玲玉所受关注自不待言。特别是遭遇“阮玲玉之死”的那段日子里,有关阮玲玉的为人、做事,都成为人们的热议话题。从我们现在能检索到的资料中,我们可以看到,有关阮玲玉的文章,居然已经达到10000多篇。这些文章有些出自当时的电影人,有些则出自当时的观众。相反,出自当代,特别是出自当代中国学术界的文章则少之又少。那么,当时的电影人,当时的观众,又是如何评价阮玲玉的呢?这正是本文所要讨论的重点问题。我们试图从他者的视角,去分析电影人以及电影观众对于阮玲玉的多方理解,对于1930年代阮玲玉电影及上海这座电影城市的理解。
As a movie star in the history of early Chinese film, Ruan Lingyu’s concern goes without saying. Especially during the “ Nguyen Ling Yu’s death ” period of time, Ruan Ling Yu’s work, work, have become a hot topic. From the information we can now retrieve, we can see that the article about Ruan Lingyu actually has reached more than 10,000 articles. Some of these articles came from the filmmakers of that time, while others came from the audience at the time. On the contrary, there are very few articles from the contemporary era, especially from contemporary Chinese academia. So, then, the movie people at that time, the audience, how to evaluate Ruan Lingyu it? This is the focus of this article to discuss. We try to analyze from the perspective of the others the various understandings of filmmakers and moviegoers about Ruan Lingyu and the understanding of the movie of Ruan Lingyu in the 1930s and the movie city in Shanghai.