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历史转型的肇始向来为研究者所关注。然而,在当下中国现当代文学研究领域中,除了在一般的中国当代文学史叙述里有所论及外,针对1949年前后这一历史时段的文学史研究并不充分。杜英著《重构文艺机制与文艺范式:上海,1949—1956》(以下简称《重构》)一书引入了西方当代空间理论,使其研究从时间维度拓展到空间维度,弥补了先前研究的诸多不足与不见,为这一历史时段的文学史研究提供了新的思路和方法。一《重构》一书“聚焦于1949—1956年间上海(但不限于上海)文人的地域分
The origin of historical transformation has always been the concern of researchers. However, in the contemporary field of Chinese contemporary and contemporary literature, except as discussed in the general narration of the contemporary Chinese literary history, the study of literary history in this historical period around 1949 is not sufficient. Du Ying’s book ”Reconstruction of Literary and Art Mechanisms and Literary Paradigms: Shanghai, 1949-1956“ (hereinafter referred to as ”Reconstruction“) introduced western contemporary theory of space to extend its research from the time dimension to the spatial dimension, making up for the previous studies Many shortcomings and missing, for this historical period of literature history provides a new way of thinking and methods. A ”Reconstruction" book focuses on the geographical distribution of literati in Shanghai (but not limited to Shanghai) from 1949 to 1956