论文部分内容阅读
现在的人,都喜欢喜剧。如果搞一次民意测验,挑出最令人喜欢的演员,其结果恐怕就不是于是之,也不是潘虹,而是陈佩斯了。这是非常值得深思的现象。我以为,这里面有一个喜剧意识与时代情绪相通的问题。创作喜剧需要技巧,需要智慧,但更为重要的是需要民主、舒畅的社会环境。在五、六十年代,人们精神被“以阶级斗争为纲”的弦绷紧了,喜剧意识受到阻塞。刚粉碎“四人帮”的时候,时代情绪主要倾向于愤怒和伤感,于是出现了伤痕文学。只有到了今天,当人民的情绪从恐惧、紧张、压抑、伤感中摆脱出来,艺术家
Now people like comedies. If we engage in opinion polls and sing the most favorite actors, the result is probably not the case either. Nor is Pan Hong, but Chen Peisi. This is a very worthwhile phenomenon. I think, there is a comic comedy and emotional issues of the times. Creative comedy requires skill and wisdom, but more importantly, requires a democratic, comfortable social environment. In the 1950s and 1960s, people’s spirit was tightened by the strings of “class struggle as the key link,” and the awareness of comedy was blocked. At the time of smashing the Gang of Four, the sentiment of the times mainly tended to be anger and sadness, thus wound literature appeared. Only now, when the emotions of the people get rid of fear, tension, repression, sadness, the artist