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作家是社会文化精神的传承者,他们对于人的存在状态的审美关怀与把握,往往表现为特有的救世忧思和使命感。上世纪80年代,同处于社会转型时期的中俄当代作家张炜与艾特玛托夫,在面对社会变迁、面对人性恶的迷狂与拯救并企图摆脱这一尴尬境地时,共同选择了传统文化下劝善的人道主义救赎,《古船》与《断头台》便是这种探索的表现。一、血腥序曲——人性失乐园,异化的原罪人性异化是历史的必然,往
Writers are the successors of the social and cultural spirits. Their aesthetic care and grasping of the state of existence of human beings often manifests itself as unique salvation and sense of mission. In the 1980s, when Zhang Wei and Aitmatov, contemporary Chinese and Russian writers who lived in the period of social transition, faced the social changes and faced with the madness and salvation of human evil and attempted to get out of this awkward position, the common choice Under the traditional culture of persuasion and humanitarian salvation, “ancient ship” and “guillotine” is the performance of this exploration. First, the bloody Overture - human Paradise Paradise, Alienated Sin sinning human nature is the inevitable history of the past