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作为一个落选的书者,去河北省博物院观看第二届楷书展成为我一种必要的学习。观展中,我有几点体会:一是展览的最大亮点是唐楷的回归,其中取法褚遂良风格的楷书最多,多在《阴符经》上下功夫,其次为《雁塔圣教序》《倪宽赞》等;取法欧楷、颜楷的作品也有亮点,用笔也比较丰富。若是从书法教育的角度来说,这也很可喜,毕竟全国的中小学书法教育都在以唐楷为范本,书法的普及传承中少不了唐楷的身影。二是小楷字径之小,让人惊叹。小楷作品面貌丰富多彩,观
As an unsuccessful booker, going to the Hebei Provincial Museum to watch the second regular script book became a necessary learning for me. In the exhibition, I have a few experiences: First, the biggest highlight of the exhibition is the return of Tang Kai, of which the style of Chu Suiliang most regular script, mostly in “Yin Fu Jing” make efforts, followed by “Wild Goose Pagoda” “Ni wide like” and so on; take the law of Europe Kai, Yan Kai’s works also highlights, with pen is also more abundant. This is also very gratifying from the perspective of calligraphy education. After all, calligraphy education in primary and secondary schools all over the country takes Tang Kai as a model, and the popularity of calligraphy goes without saying Tang Kai. Second, the small size of the small letters, amazing. Small print works look colorful, concept