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辛笛一生的诗美探索,有很强的自觉意识。他的诗作,有意超越豪放直露的抒情,超越近距离求真的写实,超越过分艰深隐晦的象征,追求一种宁静清淡而蕴蓄有味的创新意境的抒情。他承传戴望舒代表的新诗脉系而又努力突破戴望舒艺术范式的限囿。他寻找到了自己“隐抒情于物象”的另一种宁静美的抒情方式:将主客观融合的象征物象,恬淡静穆的哲思,熔于一炉,在戴望舒、“汉园”诗人之外,创造出另一种现代性“物我合一”的诗美境界。他尝试着在“诗的小品化”与“小品的诗化”之间,走出一条新的现代诗性的咏物抒情之路。
Siddy’s life to explore the beauty of poetry, there is a strong sense of consciousness. His poems are intended to transcend the bold and lyrical lyricism, transcend the realism of close distance, transcend the undistinguished symbol of deep and obscure, and pursue the expressiveness of a tranquil, fresh and imposing innovative artistic conception. He inherited Dai Wangshu representative of the new poetry pulse system and tried hard to break the limitations of Dai Wangshu art paradigm. He finds his own lyric way of tranquility and beauty of “feeling lyric in the image”: melting the symbolic images of the subjective and the objective fusion, tranquil and quiet philosophies into one furnace, while in Dai Wangshu and Han Yuan poets In addition, the creation of another modernity “unity of things and me ” poetic beauty. He tries to get out of a new poetic chant of lyricism between the poetic style of poem and the poetic style of sketch.