论《古都》中日本人的自然美学观

• 作 者: 杨赫然
• 机 构: 中国矿业大学文法学院,
• 出 处: 文学教育(上)
• 发表日期: 2013年03期
• 关键词: 《古都》 川端康成 日本人 自然美学观

日本作家川端康成凭借《古都》等三部作品在一九六八年获得诺贝尔文学奖,他是历史上第二位获得该奖的东方人。诺贝尔文学奖的授奖辞说:“这份奖状,旨在表彰您以卓越的感受性,并用您的小说技巧,表现了日本人的精神实质。”而战后创作的《古都》,不论是在思想内容,还是艺术形式上都是这番话内在意蕴的最好体现。研究《古都》中日本人自然的美学观念,对了解东方文化,尤其是日本民族的气质,感受日本文学纤细悲哀的美有重要意义。本文从《古都》中所表现的日本人特有的季节敏感性,寄己情于自然的经验性和新感觉派文学理论所提倡的物我合一的自然观三个方面来论述日本人的自然美学观。

Japanese writer Kawabata Yasunari won the Nobel Prize for literature in 1968 with three works such as “The Ancient Capital”. He is the second Oriental in the history to receive the award. The award of the Nobel Prize for Literature: “This certificate is issued to recognize your outstanding sensibility and use your fiction skills to express the essence of the Japanese.” The “ancient capital” created after the war, however, Is the ideological content, or the art form is the best embodiment of the inner meaning of these words. Studying the natural aesthetics of the Japanese in the “ancient capital” is of great significance in understanding the oriental culture, especially the temperament of the Japanese nation, and feeling the slender and sad Japanese literature. In this paper, we discuss the natural sentiment of Japanese people in the ancient capital, the natural sentiment of the Japanese in the ancient capital, and the natural view of the unity of things and things of things advocated by the literary theory of neo-sensual literature Aesthetics.