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意象是客观物象经过主体创作,与读者思想相互交融而形成的,它是感性和理性的统一体。诗歌由意象统摄,意象是诗歌的灵魂,同时也是诗歌的衔接手段。本文运用意象衔接理论,以辛弃疾的闺怨词《祝英台近·晚春》为例,把意象的衔接分别归纳为事物类、志向类、行为类和情感类,来分析诗词语篇的衔接与连贯。
Image is formed by the subjective creation and the interaction of readers’ thoughts with objective objects. It is the unity of sensibility and rationality. Poetry is taken by the image, the image is the soul of poetry, but also the means of convergence of poetry. This article uses the theory of image cohesion to take the example of Xin Qiji’s girlfriend’s resentment “Zhu Yingtai’s near and late spring” as an example, concluding the connection of images into the categories of things, ambitions, behaviors and emotions to analyze the connection between poetry and discourse coherent.