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对于群众影评,有人出言: “没劲”！ “没劲”者,差劲也。既 谓之“群众影评”,七嘴八舌, 众说纷纭,其间没点儿“没劲” 的东西,怕也不客观。与创作 同理,评论也总有高下优劣之 分,这是常识。 有的电影质量不高,艺术 上不精致,观众不满,评议纷纷;有的虽非粗制滥造,但上映后,争议较多,有关报刊也刊文争鸣。这本当无可非议,但有些摄制者却很不以为然。他们大概早就认定自己的片子是绝顶完好的,所以,一见有人竟撰文批评,就喟然唉叹:“知音何在?”或想方设法,为自己辩解,有的甚至“调动”起整个摄制组乃至整个厂子的情绪,气咻咻中,不仅弄得影评者不是个滋味,还弄得有关编辑部也十分为难。他们埋怨别人“没劲”,无非是说自己的作品“有劲”。殊不知如此谈论问题,其出发点本身就“没劲”,因为不是“无我”。
For mass film criticism, someone said: “boring”! “Boring” who, poor also. Both the so-called “mass critics”, rushes, divergent opinions, during which no “boring” things, afraid of not objective. In the same way as writing, it is common sense that reviews always have advantages and disadvantages. Some movies are not of high quality, art is not refined, the audience dissatisfied, comments have; although not shoddy, but after the release of controversial, the newspapers also argue about the publication. This is beyond reproach, but some filmmakers disagree. They probably have long since determined that their films are extremely good and complete. So when someone saw an article criticizing, he sighed and sighed: “Where is the knowledge?” Or find ways to justify themselves, and some even “mobilize” the entire film crew and even The mood of the entire factory, angry, not only made critics is not a taste, but also confused the editorial department is also very embarrassed. They blame others for being “boring,” saying nothing more than saying their works are “powerful.” Everyone does not know so talk about the issue, the starting point itself “boring”, because it is not “no me.”