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西方“先锋派”的主要目标是终结文艺的自律状态,重新拉近文艺与现实生活的距离,中国先锋派的主要目标则是让文艺从政治、革命、伦理等社会实践中解放出来,摆脱作为“工具”的附庸状态。二者的共同之处在于,通过对文艺与生活之间距离的调整,打破现存的文艺体制,恢复文艺与生活之间的“张力”关系。“张力”关系是文艺与生活关系的应然状态,先锋派的意义就在于这种“张力”关系的寻求。
The main goal of the Western “avant-garde” is to end the state of self-discipline in literature and art and rediscover the distance between literature and art and real life. The main goal of the Chinese avant-garde is to liberate literature and art from social practices such as politics, revolution and ethics, Get rid of the vassal status as a “tool”. What they both have in common is that they can break the existing system of literature and art and restore the “tension” relationship between literature and art and life through the adjustment of the distance between literature and art and life. “Tension ” relationship is the status of art and life should be the state, the significance of avant-garde lies in this “tension ” relationship to seek.